The Ants (guitarist Michael Lipton, drummer Jupiter Little, bassist Ted Harrison and vocalist/saxophonist Charlie Tee) have quietly amassed a resume that rivals many national groups. After more than 2,000 performances, the band never fails to have a good time, and that feeling is contagious. An oasis of hungry eyes and easy promises, warm as a biscuit, the kind of place your mother warned you against.Įven the best bands come and go but The Carpenter Ants, West Virginia’s premier rhythm & blues group, have been around with virtually the same lineup for over 25 years. It comes from a place of quiet, a world of low lights and cool drinks, up against a hard wall. Sister Orchid was conceived in solitude, executed in darkness. A recipient of PETA’s Humanitarian Award in recognition of her dedication to animal rights, Nellie is an annoyingly vocal advocate against war, capitalism and the two-party system that sustains it.Ĭonjuring the image of a lonely all-night truck stop along Highway 1 on the California coast, all but lost in the fog that comes creeping along the shoreline….her latest album, Sister Orchid, speaks of the night, the outsider, the plaintive wail of those lost at sea. Nellie has released six accomplished albums, won a Theatre World Award for her Broadway portrayal of Polly Peachum in The Threepenny Opera, co-created and starred in the award winning off-Broadway hit Old Hats and has written musical biographies around a compelling gallery of ladies – from environmental pioneer Rachel Carson to the life, conviction, and execution at San Quentin of underdog Barbara Graham, and most recently The Big Molinsky – Considering Joan Rivers, as well as A Girl Named Bill – The Life and Times of Billy Tipton, named one of the year’s best concerts by The New York Times. One of her generation’s most original performers, McKay remains delightfully unpredictable.Singer-songwriter, pianist & comedienne Nellie McKay returns to Natalie’s stage for another engaging performance, along with special guests The Carpenter Ants. Her splendid 2018 album, Sister Orchid, turns standards into muted, moody late-night escapades: “Willow Weep for Me” becomes a boogie-woogie sprint, “The Nearness of You” a showcase for romantic melancholy. She has maintained that adventurousness - starring on Broadway in The Threepenny Opera, recording a dazzling tribute to Doris Day, and producing a series of musical biographies of female iconoclasts. It was, as The New York Times observed, “a tour de force from a sly, articulate musician.” With a voice that can be boisterous and bold or soft and breathy, McKay harnesses the agility of a superstar athlete from the piano bench. Get Away from Me - her astounding 2004 debut, believed to be the first double-disc introduction to any jazz singer - upended the norms of piano-backed jazz with tempestuous bits of reggae and rock, bursts of hip-hop and pop, and a seamless merger of musical erudition and thematic irreverence. Nellie McKay arrived on the music scene like an exclamation mark. Packages are available for purchase online, via phone at 91, and in person at the Duke University Box Office, Monday through Friday, 11 AM to 6 PM. The ‘In the Jazz Tradition’ Package, which provides access to all 14 ‘In the Jazz Tradition’ sets at Durham Fruit & Produce, including performances by Nnenna Freelon, Cécile McLorin Salvant, Nellie McKay, Catherine Russell, Jazzmeia Horn, René Marie, and Kate McGarry, is now on sale. In the Jazz Tradition: Nellie McKay Wednesday, Decem| 7:00 pm BUY TICKETS Wednesday, Decem| 9:00 pm BUY TICKETS The Fruit
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |